Agenda-setting intelligence, analysis and advice for the global fashion community. Combination ear muffs and face masks are ubiquitous now that temperatures have fallen below zero and pollution levels regularly read “unhealthy”. BEIJING, China – Dressing for Beijing’s winter sometimes means compromising on style. But members of the Beijing Hanfu Society persist in dressing in gauzy gowns and silk robes – at least indoors. With similar groups popping up everywhere from Brisbane to Toronto, Hanfu is rapidly growing in popularity, especially among young Chinese women – the average age of wearers is just 21, and nine out of ten are female, according to an industry report published on Sohu. Why ostensibly? Because Hanfu’s historical credentials are dubious. That’s a relatively small fraction of China’s 1.39 billion people, but the growing fascination with ostensibly traditional Chinese clothing has broad implications for fashion brands. For most Hanfu wearers, though, historical accuracy and nationalism are beside the point. Together, wuxia and palace dramas constitute an imaginative world that’s vaster and more compelling to Chinese viewers than the Marvel Universe, which has made over $5 billion in merchandise sales. “When I was really small, I liked to wear a sheet to pretend I was one of the fantasy characters on TV,” said Sun Ying, explaining her interest in Hanfu. Some commentators see the trend as retrofitting in service of a new Chinese nationalism. She said she spends several thousand renminbi on Hanfu each year, hanfu winter cloak including material to make her own. Most Hanfu outfits cost 300-500 RMB ($45-70). Sun, 28, lives in Huzhou, Zhejiang province, where she runs a fried chicken store. I see it in some sense as a form of fantasy and escapism, like cosplay or role-playing video games are for a lot of people. Online sales are especially popular. Led by Guangzhou’s ‘Han Shang Hua Lian’, the top ten Hanfu stores on Taobao made 50.67 million transactions in November 2018, up 266 percent on the previous November. The vast majority of people who wear Hanfu do so during hobbyist get-togethers or for photo shoots. According to the Sohu report, about 92 percent of people buy their Hanfu from stores (rather than making it or having it made). “I see it in some sense as a form of fantasy and escapism, like cosplay or role-playing video games are for a lot of people,” said Eric Fish, the author of China’s Millennials: The Want Generation. Some Hanfu wearers resent that comparison – “If I’m a cosplayer, then I’m cosplaying your ancestors! ” Kang Wei told the Chengdu Business Times – but even if Hanfu were only worn as costumes, that’s still a market with significant growth potential. Comparing Hanfu to Halloween is perhaps not as farfetched as some might claim it to be. The annual Hanfu spend is estimated to be about 570 million RMB ($83 million), while Americans spent $3.4 billon on Halloween costumes in 2017. The vast gap between the two signifies a considerable opportunity for some Hanfu entrepreneurs. Last year, video platform Bilibili and the Communist Youth League together declared April 18 China Hanfu Day, an opportunity to dress up not as ghosts or vampires, but in all kinds of traditional-looking Chinese clothing. It was their attempt to stand up for Han culture after myriad historical foreign invasions, ethnic Manchu rule during the Qing dynasty (1636-1912), and what they see as phoney multiculturalism in contemporary China. Ethnic minorities therefore constitute approximately 139 million people, counting groups as diverse as the Zhuang, Hui, Miao, Muslim Uyghurs, Tujia, Mongols and Tibetans. Han had a singular clothing style is a projection of nationalist, racialist, unificiationist ideology into a far more complex past,” he said. National Dress or Nationalist Dress? Hanfu’s current popularity stems, in part, from the Hanfu Movement, started in the early 2000’s when a few members of China’s Han majority began wearing what they imagined as traditional Han clothing. For the small minority who do see Hanfu as a nationalist movement and a rejection of foreign culture, its growing popularity might bring with it a modest movement away from the foreign brands with which China has been so enamoured. China is the biggest market in the world for major luxury brands, but consumers here have been quick to boycott foreign retailers and brands they perceive as racist – Dolce and Gabbana is one recent example. Fish said that the movement does have “patriotic undertones”, but that “most Hanfu enthusiasts are in it for the fashion and community more than a racial or xenophobic motivation.” In fact, contrary to popular belief, China’s “young people overall are progressively getting less nationalistic, and there have been studies to back that up,” he said. The popularity of Hanfu does seems to be congruent with greater confidence in domestic fashion and design. “Chinese consumers are still avid buyers of foreign brands, but Chinese brands are gaining ground on them,” said Fish. “There is a desire to see Chinese brands succeed and be internationally respected, so I think it’s possible that an informal ‘buy made in China’ drive could unfold in the fashion industry as higher quality products meet a desire to express national pride. When Sun lived in Hangzhou, where she worked at a Toyota dealership, she bought clothes by Coach, Vero Moda and Taiwanese brand Girdear. “I see Hanfu as part of a growing confidence in the idea of China, at least. “Like Han clothing, nationalist declarations are primarily performative. Whether that translates into confidence in Chinese brands is another matter altogether, he said. While wearing Chinese traditional clothing is a way for some to avoid conventional fashion boutiques and ignore what’s coming down the runway, for others it’s an aesthetic that marries well with contemporary fashion. Subcultures like Hanfu that hearken back to simpler, romanticised times can be very appealing. Younger Chinese designers are also drawing influences from Hanfu. Hiuman designer Lola Chau, for instance, drew on the trend in her Spring/Summer 2016 collection. Leading Chinese designers such as Uma Wang and Guo Pei have drawn extensively on traditional Chinese fashion in their designs. “Lots of my designs incorporate Hanfu thinking,” she said. It is certainly easier for Chinese brands and designers to tap into the fantasy of life in ancient China than it would be for their foreign counterparts. For now, Sun said, “I’m not interested in trendy clothes, or meme clothes. “Modern life is not like the old times,” she continued. “In ancient times girls didn’t go out. They stayed in sewing, so they could wear super long dresses and long sleeves, but they don’t suit modern life.” For that reason, she makes her Hanfu skirts shorter and the sleeves tighter. As China Becomes the World’s Largest Fashion Market, Could Local Players Dominate? 2024 The Business of Fashion.

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Wearing Hanfu to the streets has become a trend we are keen on. Many beautifully produced TV dramas in ancient costumes also bring new inspiration to us who like Hanfu. However, some foreign friends think that Hanbok and kimono are Han Chinese clothing, or that Han Chinese clothing is one of them. It’s actually quite different. In Japan’s Nara period, that is, China’s prosperous Tang period, Japan sent a large number of Tang envoys to China to learn Chinese culture, art, and legal system, hanfu modern including the clothing system. In Japan, it is called “Zhiwu” or “Wufu”, which means clothing from Wudi (now Jiangsu and Zhejiang) in China. At that time, Japan also imitated the Tang system and promulgated the “Clothing Order” and “Old Ageing Order”, imitating the Tang Dynasty court dress system, which was used for the enthronement ceremony, crown ceremony, wedding ceremony, and other weekly ceremonies. It is composed of several large squares, and most of them are straight lines when worn on the body. The main difference between modern kimonos and Hanfu: the lines of Hanfu are curved, and some styles are flattened into squares, but they are all smooth curves when worn on the body; the lines of kimonos are straight, and they are straight and right angles when they are unfolded. After the middle period of the Joseon Dynasty, the court clothes absorbed the clothing styles of the Ming Dynasty, and they all followed the Chinese system. Hanbok, in the Tang Dynasty, Silla (one of the countries on the Korean peninsula) asked Tang Taizong to give Han clothes and abolish the clothes of Silla, so as to be the same as China. The Luo official’s head is the same style, but after the Ming Dynasty, it was changed to the style of the corners, and the Li Dynasty also changed to the short corners; for example, the dresses of the queens of the Li Dynasty have always been the style of the Chinese Queen Zhai. In particular, women’s clothing has developed towards high-waisted Ru skirts, and official uniforms, court uniforms, and important court dresses have always retained the Hanfu and changed with the changes of Hanfu. The main difference between modern Hanbok and Hanbok is that Hanbok generally has a cross-collar right hem, but also has a pair of fronts (big V-neck), while the cross-collar of North Korean clothing is not obvious, similar to a small V-neck; women’s clothing skirts are particularly high, and the hem is very wide and fluffy. Hanfu symbolizes the splendid Chinese civilization and has profoundly affected the entire East Asia region. Japanese kimono and Korean hanbok all evolved from Hanfu.The traditional costumes of the Han nationality have existed for more than 4,000 years in Chinese history, and are the costumes that best reflect the Chinese nation’s aesthetic character, ideology and culture. It is believed that there will be more designers from friends from all over the world who will also add modern improved elements that are more suitable for Hanfu in the near future, so that it not only retains the essence of traditional culture, but also gives a more realistic lifestyle integration and innovation, so as to achieve a modern aesthetic.

At 12 a.m., the lights are still on at Zhi Yue Hanfu Studio. Lan Xiu said, one of the founders of Zhi Yue Hanfu. She took out a tape measure and measured on the finished hanfu garment. Lan Xiu and others founded Zhi Yue Traditional Clothing in 2018, whose hanfu product patterns and shapes are mainly based on cultural heritage materials as reference, black hanfu insisting on focusing on original hanfu development. Lan Xiu’s team has been deeply rooted in the hanfu industry for many years since the early days of its creation, and now has its own hanfu studio in Chengdu and its own hanfu factory in Guizhou. Through Lan Xiu and her team’s more than 10 years of experience in making hanfu, she has found that not only domestic hanfu consumers, but also overseas Chinese customers often prefer the traditional forms of hanfu they produce, “It shows me that no matter where you are, no matter how different the environment you grow up in. There is a consensus among Chinese people around the world about hanfu, and that is to preserve what is most traditional about us, so Zhi Yue Hanfu’s design philosophy has always been to insist on restoring hanfu from heritage materials.” Lan Xiu said. She mentioned that Zhi Yue has not been investing much in publicity, and that they have participated as judges in almost all of the past few major national hanfu shows, so this year has been an extraordinary year for them as well. Lan Xiu majored in art during her college years, and after graduation, she started her own clothing factory. Lan Xiu recalls that at that time, the hanfu industry was relatively uncommon, so her factory had a wide range of business, making not only hanfu, but also other traditional costumes. As one of the earlier manufacturers of hanfu, one of Lan Xiu’s factory’s businesses at the beginning was making costumes for the drama crew. But it was through meeting a group of friends in the hanfu circle early on that her life quietly took a turn. Perhaps it was the China-chic trend that ignited her dream of Chinese costume. As a team with more than 10 years of experience in research, design and production of hanfu, the positioning of Zhi Yue Hanfu was clear from the beginning. Lan Xiu wondered about the future development of hanfu, both the technology and the design will definitely see some adjustments and changes, but the most important part of hanfu, that is, the shape of hanfu, must retain this traditional charm, which is the core competitiveness. In 2018, Lan Xiu and her partners hit it off and started their own hanfu brand. Despite its extensive experience in garment making and hanfu research, Zhi Yue Hanfu still had a lot of difficulties in the early stages of opening. Looking back on the early days of the business, Lan Xiu was overwhelmed with emotion. At that time, she ran all over the country just to find an ideal hanfu processing factory. These events are actually guiding companies to pay more attention to originality, which means emphasizing the core competitiveness of their products.

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Chinese traditional clothing is famous for its luxurious styles. The top 9 most famous Chinese clothes include Cheongsam, Hanfu, Tang Suit, Zhongshan Suit, and Shenyi. Nowadays, although Chinese people don’t wear traditional clothes in their daily lives, some traditional attires are still worn during certain festivals and ceremonies. Hanfu, also known as traditional Han Chinese clothing, is the traditional clothing style of the Han people. It has been shaped by different dynastic traditions, and therefore, its characteristics in different dynasties can reflect the social background and culture at that time. It is the most well-known Traditional style of Chinese clothing. Because of its luxurious styles and beautiful colors, Hanfu has become one of the most favorable clothing to take photos for Chinese females. It is the most well-known Traditional style of Chinese clothing. The buttonless upper garment overlaps the right border to the left and is tied with a belt sash. Hanfu features a loose upper garment with a cross collar, wide sleeves, and ankle-length skirts or trousers. The belt sash was often decorated with jade. It has a history of more than 4,000 years. Through several dynasties, Hanfu developed various styles and characteristics. Each dynasty has its distinctive dress codes, reflecting the culture of the times. Hanfu is a typical representative of traditional Chinese clothing. There are two basic forms of Hanfu, that is, the jacket with skirt or trousers, and a one-piece dress. Chinese people don’t wear Hanfu in their daily lives, but Han fu is still popular on special occasions such as weddings and Chinese New Year celebrations. There are three representative styles of Hanfu, including paofu (one piece of long dress), ruqun (consists of a short jacket and a long shirt, which can be separated), and shenyi (consists of a short jacket and a long shirt that can not be separated). The cheongsam, also known as Qipao, is a traditional Chinese dress originating from a kind of garment worn by Manchurian women about 300 years ago. Qipao looks beautiful and elegant. It was extremely popular in China, especially in Shanghai, from the 1920s to 1940s. Cheongsam has evolved in design over the years. It is still favored by many Chinese ladies. The cheongsam is a tight-fitting dress. The length of the cheongsam can be long or short. Cheongsam features a standing collar, the two ends of the collar fasten at the center of the front of the neck with pankous (traditional Chinese knotted buttons), and a pair of high-side slits above the knee. The sleeves can be of different shapes and lengths. Cheongsam is now the most famous traditional Chinese clothes around the world. Although Chinese people don’t wear cheongsam daily, this garment is still a popular outfit choice for festive occasions such as wedding ceremonies and Chinese New Year. Originating from Magua, a Manchu men’s jacket in the Qing Dynasty, the Tang suit features a duijin, a Chinese-style front opening jacket with buttons down the front. Tang suit, also known as the Chinese suit, or Tangzhuang, is a traditional Chinese jacket with Manchu origins and Han elements combined with a Western-style suit-cutting method. It has a stand-up collar and knobs made of intricately knotted strings. The Tang suit is popular in the world. It also has had a great influence on the clothing styles of some Asian countries. Today, Chinese men still wear Tang suits as one of the formal attire on various occasions. It features a turn-down collar, four pockets with flaps, five big buttons in the front, and three small cuff buttons on either sleeve. Zhongshan suit, also called the Yat-sen suit or Mao suit, is a male attire style that combines the Western-style suit and traditional Chinese clothing style. Sun Yat-sen introduced the Zhongshan suit as a national garment shortly after the founding of the Republic of China and it became extremely popular among the Chinese people since then. Shenyi is a representative style of the traditional Hanfu. It is a kind of gown in that the upper half is connected to the bottom half. Combined, the word “shenyi” means “deep clothes” literally, or to wrap the body deep in the cloth. The character “shen” means “deep” in Chinese, and “yi” means “clothes”. The design of the Shenyi with loose sleeves and a long skirt is enough to cover the wearer’s skin fully. It became mainstream and popular clothing in the Qin and Han dynasties (221 BC to 220 AD). Runqun is a set of attire in Hanfu. It features a short jacket typically called “ru” and a long skirt called “qun”. Shenyi is traditional Chinese clothing dating back as far as 2000 years ago. Ruqun is one of the earliest and most basic clothing in the history of traditional Chinese clothing. Magua is a kind of Chinese traditional jacket that was popular in the Qing Dynasty (1636 – 1912). It is a short-sleeved, loose outer garment designed to be worn over a Changshan, or a gown. It appeared in the Warring States period (403 BC – 221 BC) and became popular during the Wei, Jin, Southern, and Northern Dynasties (220 – 589). In the Han Dynasty (202 BC – 220 AD), due to the widespread popularity of Shenyi, Ruqun was going out of fashion. Such short sleeves are for the convenience of riding horses and shooting. Magua is at waist length, and the sleeves can only cover the elbow. In the early Qing Dynasty, Magua was only worn by soldiers. During the Republic of China, Magua was listed as one of the ceremonial attire. Later, Magua was worn by aristocrats and wealthy people and gradually became popular because of its elegant and generous style. After the founding of the Republic of China, Magua was gradually out of fashion. It returned to people’s vision after improvement with the name of “Tang Suit”. Changshan was considered formal attire before Western-style suits were popular in China. Changsha, also called Changpao, is a kind of Chinese robe worn by males that was popular in China from the 1920s to 1940s. Changsha was adapted from the Taoist robes that scholar-officials used to wear in the Ming Dynasty by adopting some Manchu men’s clothing elements. The Miao ethnic clothing maintains the traditional craftsmanship of weaving, embroidery, picking, hanfu wedding and dyeing. The garments are richly colorful and display a distinct ethnic artistic characteristic.

Although the wuxia hanfu clothing has made a lot of modifications to the traditional hanfu patterns, especially in TV series for the glamorous effect of the screen, red cheongsam dress they have created many artistic clothes. This kind of martial arts costume has gone beyond the scope of classic hanfu. Wuxia art is a type of martial art based on the stories of wuxia novels, but it’s more than that. However, the martial arts culture has developed a unique fantasy world, and perhaps that is the reason why people love it. It’s a way of life. The main thing you need to know about Wuxia is that it’s not for everyone. It’s a very demanding art form, which requires a high level of physical and mental fitness. In wuxia art, you learn a variety of techniques including swordplay, spear-throwing, and gun-slinging. Wuxia martial arts has evolved from a number of different styles, such as: kung fu, xingyiquan, baguazhang, taijiquan, chuanfa, qigong, and many more. This style of martial art has been practiced for thousands of years in China, and it is still practiced today by many people. The main focus is on hand-to-hand combat, but wuxia art also teaches you how to fight with other weapons as well. Today, wuxia clothing is often used to refer to a specific genre of martial arts movies and TV series that depict the adventures of characters who use martial arts to fight off evil forces. Wuxia fashion is a subgenre of wuxia hanfu cosplay (wuxia costume play), where people dress up as wuxia characters and perform martial arts routines in public. Wuxia cosplay has become popular in modern times, and there are even wuxia cosplay events. Wuxia novel is an ancient Chinese folktale, which is now considered to be one of the four great classical arts of China. Wuxia fashion is a unique form of cosplay because it combines both fashion and martial arts. It has a long history and is one of the oldest Chinese cultures. Lots of wuxia novels have been translated into English, French, German, Japanese, Korean, and other languages. It’s also a favorite theme for the Western world. Wuxia cosplay is a great hobby that can bring a lot of joy to your life. In fact, you can find many Western artists who have cosplayed as a wuxia character. In the world of wuxia, there are many different types of characters, each with its own unique set of rules and requirements. You must be familiar with the basic rules of wuxia cosplay before you start to practice. If you want to look professional and won’t cause misunderstanding to others, the most essential key is, to choose the right traditional wuxia style hanfu clothing, rather than fantasy cosplay clothes.

A hanfu dress accessory is a small item that you can wear with a hanfu to make it look more fashionable. This is why they’re great for a variety of occasions, such as parties, weddings, and events. This is a popular choice because it’s a small item that doesn’t take up too much room in your handbag or purse. Yes, hanfu accessories can be the perfect way to spice up your dress without breaking the bank. Mixing vintage clothing with modern accessories has become very popular at the moment. When the trend rises and falls, these pieces will stand the test of time and will be essential additions to your wardrobe, from beach carves, glasses to padded headbands. While traditional hanfu accessories will stay forever classic, chinese traditional clothing hanfu there are plenty of new fashion accessories that will be worn by everyone in the new decade. Women’s accessories are a great way to enhance any outfit and make it look more polished and stylish. You can get a wide variety of hanfu accessories to suit your needs, from a simple pair of earrings to a funky bracelet or even a silk scarf. It’s a great way to add some personality to an outfit and make it stand out. Hanfu accessories don’t need to be expensive to look good. In fact, a great accessory can be made out of almost anything. It can be a great way to spice up your look and make it more interesting. The most important thing to consider when choosing a hanfu dress accessory is your lifestyle. If you work in a professional environment, you should avoid the statement accessory, and if you’re a mom or a wife, you can go with a more casual look and opt for a simple hanfu handbag. A simple flower in the hair or a trendy hair clip can instantly transform a hanfu dress into something special. Whether you’re shopping for yourself or someone else, it’s important to know what makes you feel beautiful and confident. 1. Want to be more chic and classy? The right accessories can instantly transform an outfit, and the wrong accessories can make you look like you’re wearing a boring costume. 2. Choose a hairband that complements your hanfu outfit. For example, if you wear a classic red hanfu ruqun, you can go with a floral hairband that has a bright color like rose or pink. Just a delicate hanfu necklace can perfectly show your elegance and charm. 3. Quality is important, don’t choose too cheap items. The best hanfu accessories are ones that can be worn over and over again, and you can even use them on your other daily clothes. This is why you should choose a high-quality hanfu accessory. Besides, it is very important to know what type of hanfu accessory you need in order to look great on any special occasion. In your affordable range, the more expensive the accessory, the better. It is possible to find the right accessories by browsing online, and also possible to buy them in your local store. There are many types of retro accessories for hanfu dresses. Some are very common while some are rare.

Hanfu can be traced back to the Wei and Jin dynasties of ancient China and has a history of thousands of years. A kind of clothing symbolizing the traditional Chinese culture and historical spirit, it is widely welcomed and loved by ladies all over the world. Hanfu is a traditional Chinese style costume that represents the richness and traditional history of Chinese culture. Not your body size. 2. The measurements in the size chart are based on the dress. So the size you choose should be a little larger than your body type (1″”-1.5″”). If any part of your body, especially your chest or hips, is at the upper end of the size range, then choose the next larger size range.

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Mili (Chinese: 羃䍦; pinyin: mìlí) is a type of Chinese veil which originated from Hufu of the Rong and Yi people cultures. The full-body mili then evolved into the weimao by the end of the Sui dynasty. 31but started to lose popularity by the middle of the 7th century. It eventually disappeared completely by 705 AD. Despite its foreign origins rooted in the Rong and Yi cultures, the full-body mili was perceived as an expression of highest propriety in the Central plains. Some Tang dynasty mili also only covered the women’s face and neck areas. This was also recorded in the New book of Tang, which described the mili as “originating from the barbarians” but was ideal to protect women’s modesty as it covered and hid the entire body. In the Northwest, it was used to protect against dust. However, in the Central plains, it become a fashionable item. Qinghai, and was originally worn by both men and women in the late 6th century. The full-body mili, which was adopted from the Tuyuhun, was a type of burnoose; it was a large piece of fabric which was draped over the women’s head. The mantle of the fabric would fall across the shoulders down to the feet which would then covered most of the body and only allowed the women to see through a small break between the edges. The mili was sometimes covered with jewelries. It was adopted during the Sui dynasty and became popular among Imperial and ducal house ladies who would ride horses in public. By the end of the Sui dynasty, it was no longer required for women to hide entire body and the mili became less conservative and evolved into the weimao, which would only conceal the face. It however continued to be worn in the subsequent Tang dynasty. The full-body mili continued to be worn during the Tang dynasty as it was considered ideal for protecting a women’s modesty since it concealed the entire body. However, one of the inconveniences of the mili was that it provided a convenient disguise for rebels when they wanted to escape the authorities’ notice. Its purpose was to prevent men on the streets from looking at women. The full-body mili was still worn during the Emperor Taizong’s time. These two edicts went almost completely ignored. But by the mid-7th century, it started to lose popularity. One of the alternatives was the use of wearing hoods that only allowed the face be shown. Due to those imperial edicts issued by Emperor Gaozong, women decided to substitute the mili with other forms of fashion. The veil was made of gauze-like material and could be adorned with jade and kingfisher feathers. The other alternative to the mili was the wearing of a curtain bonnet, which originated from Tokâra, a hat with a veil which ran around the sides and back and would fall on the shoulders. However, the Emperor Gaozong was not satisfied with those because these new adopted fashion allowed the exposure of women’s face, and he wanted the burnoose to return and cover the face. His imperial edicts were only effective for a short period of time as women started re-wearing the weimao, which covered their faces but allowed their clothing and bodies to be exposed. By the time of Wu Zetian’s ascendancy, the weimao was back in fashion and had spread everywhere while the mili had gradually disappeared. By the end of the Sui dynasty, the mili evolved into the weimao; the weimao only covered the face instead of the entire body. By 705 AD, the mili had completely disappeared. This change in fashion happened as it was no more necessary for women to hide their body; they were only required to hide their faces. A weimao was a veiled-hat which only covered the face instead of the whole body. Tokara was a nation found outside the empire’s borders, in the far northwest. The veil was shoulder-length. China : dawn of a golden age, 200-750 AD. James C. Y. Watt, Prudence Oliver Harper, Metropolitan Museum of Art. Hua, Mei (2011). Chinese clothing (Updated ed.). New York: Metropolitan Museum of Art. Benn, Charles D. (2002). Daily Life in Traditional China: The Tang Dynasty. Greenwood Press “Daily life through history” series (illustrated ed.). Greenwood Publishing Group. p. Yang, Shao-yun (2017). “Changing Clothes in Chang’an”. 臧, 迎春 (2003). 臧, 迎春 (ed.). China Review International. 24 (4). University of Hawai’i Press: 255-266. doi:10.1353/cri.2017.0064. 中国传统服饰. 臧迎春, 李竹润. Benn, Charles D. (2004). China’s Golden Age: Everyday Life in the Tang Dynasty (illustrated, reprint ed.). 五洲传播出版社. Watt, James C. Y. (2004). China: Dawn of a Golden Age, 200-750 AD (illustrated ed.). Oxford University Press. p. This page was last edited on 16 October 2023, at 10:10 (UTC). Metropolitan Museum of Art. By using this site, you agree to the Terms of Use and Privacy Policy. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

The Hanfu dress is a traditional Chinese garment with a rich cultural history that dates back over 3,000 years. Known for its distinctive style and elegance, Hanfu attire has become increasingly popular worldwide. One stunning variant of the Hanfu dress that captivates the hearts of many is the pink Hanfu dress. The pink Hanfu dress is admired for its soft, delicate, and feminine hue. This charming and graceful garment effortlessly combines traditional Chinese aesthetics with modern grace, making it a beloved choice for various occasions. Often chosen by those seeking to embrace their inner princess, this hue exudes a sense of elegance, innocence, and vitality. The rosy shade is typically achieved using natural dyes derived from flowers such as peonies, orchids, and roses, making every pink Hanfu dress a unique masterpiece. The pink Hanfu dress boasts an array of exquisite design elements that add to its appeal. These design elements vary, depending on the specific era of Hanfu fashion it draws inspiration from. Whether it’s the wide-sleeved flowing lines of the Tang Dynasty or the exquisite combination of pleats and intricately embroidered patterns of the Ming Dynasty, each pink Hanfu dress celebrates the beauty of traditional Chinese culture. The pink Hanfu dress is celebrated for its graceful silhouette. This flowing and ethereal silhouette allows for freedom of movement and exudes an air of femininity and gracefulness. Typically, it features a loose fit with a high waistline and floor-length hem, accentuating the natural curves of the body. The pink Hanfu dress is a versatile garment suitable for various occasions. The dress often comes with a wide belt or a silk sash that cinches the waist, adding a touch of glamour. With its vibrant pink hue and elegant design, this dress effortlessly stands out, making it a perfect choice for individuals who wish to showcase their love for ancient Chinese fashion while embracing their unique modern style. It can be worn during formal events, weddings, cultural festivals, or even as a statement piece for casual outings. In recent years, there has been a resurgence in the popularity of traditional Hanfu fashion, including the pink Hanfu dress. With the rise of social media platforms, enthusiasts around the world are increasingly drawn to the allure of Hanfu, using it as a way to express their admiration for Chinese culture. This has led to the creation of various online communities, further contributing to the acceptance and appreciation of Hanfu as a global fashion statement. The pink Hanfu dress is a timeless and exquisite representation of traditional Chinese culture and fashion. With its soft hue, elegant design, and versatile appeal, it has captured the hearts of fashion enthusiasts both in China and beyond. Wearing a pink Hanfu dress is not only a fashion statement but also a celebration of history, culture, and personal style, allowing individuals to embrace their inner princess and radiate elegance wherever they go.

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18th century during the Qing dynasty. It is traditionally handmade and is decorated with dragons and phoenixes embroideries. Nowadays, the qungua is still popular as a wedding dress in China, including in Hong Kong and Macau. Back in Ming dynasty, the women wedding dress worn by nobles and commoners was known as fengguan xiapei (traditional Chinese: 鳳冠霞帔; simplified Chinese: 凤冠霞帔) composed of the fengguan and xiapei. It eventually became the traditional wedding attire of Cantonese brides in the Guangdong regions. What is known as qungua only started to be worn in the 18th century during the Qing dynasty. The wedding dress worn in Ming dynasty continued to influence the wedding dress of the later centuries. The qungua originated in Guangdong when Liang Zhu, a Guangdong Qing dynasty politician, was rewarded with a silk wedding dress embroidered with dragons and phoenixes by the Qing Emperor at the time of his daughter’s wedding. This led to the use qungua in the Guangdong area. In 18th century, Chinese mothers would start to sew the qungua as soon as a daughter was born in the family. The qungua would then be placed as a part of the daughter’s bride dowry when she gets married. The qungua follows the ancient traditional system of shangyi xiachang (Chinese: 上衣下裳; upper and lower garment). Chinese: 裙; pinyin: qún; Jyutping: kwan4; lit. The qungua is composed of two separate garments: a gua (Chinese: 褂; pinyin: guà; Jyutping: gwaa3; lit. The qun worn in the qungua is typically straight in cut. While Western wedding dress tends to be white in colour, Chinese traditional wedding clothing favours the use of red and gold colour. The skirt could be pleated. The gua was originally black in colour while the skirt was originally red in colour. Bride wearing Qing dynasty qungua. Since then the traditional black gua and red qun started to be used for the bride’s mother instead of being worn by the brides themselves. Qungua is a two-piece garment attire: black gua and red qun. Construction of a black gua jacket. It can also be decorated with other auspicious symbols, such as pomegranate (symbolism for fertility), peony flowers, lotus flowers, bats, goldfish, butterfly and birds. The qungua is typically embroidered with the Chinese dragons called long (traditional Chinese: 龍; simplified Chinese: 龙) and the Chinese phoenix called feng (traditional Chinese: 鳳; simplified Chinese: 凤). The Betawi bridal dress, partly influenced by Chinese culture and by Indonesian culture, looks similar to the Chinese qungua. The tuaki is decorated with Chinese auspicious symbols. One difference from the qungua is the use of Betawi Lotus, also known as Betawi pomegranate, a separate ornamental garment which covers the chest and shoulder areas (similar to the yunjian of the Chinese people). Like the qungua, the Betawi bridal dress is a two-piece set of attire which composed of an ankle-length with wider bottom skirt called kun and an upper garment called tuaki. The Betawi lotus was used to denote the origins of the Betawi bride, but it was eventually replaced by beads which typically follows the Spanish cherry floral pattern. The kun and tuaki must match in colour. The fengguan xiapei is a set of attire which was composed of red mang ao (traditional Chinese: 蟒襖; simplified Chinese: 蟒袄; lit. Ming dynasty-style round-collar robe decorated with dragons, which was worn by Han Chinese women as a court robe; a xiapei (Chinese: 霞帔), which is a type of long scarf in Ming and a type of stole in Qing dynasty; a mangchu (Chinese: 蟒裙; lit. Chinese Bride in Batavia in her wedding dress, 1870. The dress is heavily influenced by Chinese culture but also shows subtle differences. The Wedding attire is sometimes decorated with Chinese cloud collar known as yunjian. The qungua is distinct from another Chinese wedding set of attire called Xiuhefu (Chinese: 秀禾服). Qing dynasty fengguan xiapei (凤冠霞帔), a yunjian is on top of the attire. The Xiuhefu typically has an overlapping jacket which closes to the right side (instead of the qungua central closing jacket) which is worn with an A-line skirt (qun) which looks similar to a mamianqun instead of a straight cut skirt. The Xiuhefu is typically embroidered with flowers and birds to symbolize love for whole seasons. The qungua is different from the cheongsam which can also be worn as a Traditional Chinese wedding dress. Prior to the 1930s and the 1940s, the cheongsam was also a two-piece set of garment which was composed of a long robe and was worn with a pair of trousers. Long Feng Gua” Wedding Tradition | US-China Institute”. The qungua is a two-piece garment composed of jacket and skirts while the modern cheongsam is currently a one-piece robe. Cultural Centre, University of Malaya (masters). JNTT (2020-07-30). “SAME SAME BUT DIFFERENT”. Qiao, Nan; Tan, Yan-rong (2017). “Talk About the Chinese Wedding Dress of Modern Women”. Indonesia-Taiwan Relations: Searching for Better Understanding. Penerbit Andi. 2021. pp. Queensland Museum Collections Online. Prof. Dr. Tirta Nugraha Mursitama, Ph.D., Dr. Shidarta, M.Hum., Dr. Yi Ying, M.Lit., M.Pd. This page was last edited on 29 November 2024, vintage qipao at 08:07 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. Garrett, Valery M. (2007). Chinese dress : from the Qing Dynasty to the Present. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.